12 Composizioni vocali, profane e sacre, inedite, con e senza basso continuoby Claudio Monteverdi; Wolfgang OsthoffReview by: Lloyd Pfautsch · Notes (Second Series) · 1960

Motet I: Singet dem Herrn ein neues Lied. For Mixed Voicesby J. S. Bach; Werner Neumann; Walter E. Buszin; Fritz OberdoerfferReview by: Lloyd Pfautsch · Notes (Second Series) · 1960

Song of the Birth of Our Lord Jesus Christ, for Mixed Chorus, S and Bar. Solo, 2 Violins, and continuoby Marc-Antoine Charpentier; H. Wiley HitchcockReview by: Lloyd Pfautsch · Notes (Second Series) · 1960

Aria: Ihr Gedanken. For Soprano or Tenor, Two Violins, Basso Continuoby Philipp Heinrich Erlebach;Solo Kantate: Was mich auf dieser Welt betrübt. For Soprano or Tenor, Two Violins, Basso Continuoby Dietrich BuxtehudeReview by: Lloyd Pfautsch · Notes (Second Series) · 1953

I Ascend unto My Father. SSATBB, a cappellaby Jacob Handl;I Must Be Gay. SSATB, a cappellaby Paul Peuerl;O Melody. SSATB, a cappellaby Paul Peuerl;Holy Is God. Heiligby Carl Philipp Emanuel Bach; Karl Geiringer; Henry S. Drinker;The Passion According to Saint Matthewby Heinrich Schütz; Richard T. GoreReview by: Lloyd Pfautsch · Notes (Second Series) · 1956

The Lord God Reigneth, Psalm 99by Johann Pachelbel; Hans Heinrich Eggebrecht;Now Thank We All Our God, Motetby Johann Pachelbel; Hans Heinrich Eggebrecht;Shout to the Lord, Psalm 100. For Double-Chorus and Basso Continuoby Johann Pachelbel; Hans Heinrich Eggebrecht;God's Own Sacrifice Complete. An Order of Meditation and Worship Based on the Seven Words of Jesus Christ on the Cross and Intended Chiefly for Use in a Tre Ore Service, Conducted in Christian Churches on Good Fridayby Walter E. Buszin;Sechs Choralbearbeitungen und das Quodlibet, "Was wöll'n wir aber heben an?" [SATB a cappella]by Johannes Brassicanus (Johann Kraut); Othmar Wessely;Jesus' Cross, the Death and Painby Adam GumpeltzhaimerReview by: Lloyd Pfautsch · Notes (Second Series) · 1955

Christ Lag in Todesbanden. Christ Lay in Grim Death's Prison. Easter-Cantata for Mixed Chorus, Soprano, Alto, Tenor, and Bass Soloists; 2 Violins, 3 Violas, Bassoon, and Keyboard Instrumentby Johann Pachelbel; Hugo Ruf;Nun lasst uns Gott, dem Herren, Dank sagen; Choralkantate für vierstimmigen Chor, 2 Violinen, und Basso continuoby Dietrich Buxtehude;Wär Gott nicht mit uns diese Zeit; Choralkantate für vierstimmigen Chor, 2 Violinen, und Basso continuoby Dietrich Buxtehude;Walts Gott mein Werk ich lasse; Choralkantate für vierstimmigen Chor, 2 Violinen, und Basso continuoby Dietrich Buxtehude;Fahre auf die Höhe; Kantate für Tenor, Bass, vierstimmigen gemischten Chor, Violine I & II (Oboe ad lib.), Violoncell (Fagott ad lib.), und Basso (Violoncell, Kontrabass, Orgel)by Wolfgang Carl Briegel;Und es erhub sich ein Streit; Kantate für Sopran, Bass, vierstimmigen gemischten Chor, Violine I & II (Oboe ad lib.), und Basso (Violoncell, Kontrabass, Orgel)by Wolfgang Carl Briegel;Jesu, führe meine Seele; Kantate für Bass Solo, Violini unisoni, Basso (Violoncell, Kontrabass), und Continuo (Orgel oder Cembalo)by Christoph Graupner;Wie bald hast du gelitten; Kantate für vierstimmigen gemischten Chor, Violine I & II, Viola, Continuo (Orgel), und Basso (Violoncell und Kontrabass)by Christoph GraupnerReview by: Lloyd Pfautsch · Notes (Second Series) · 1956

XVII. <i>Mineralogical notes:—Second series</i>Chapman, E.J. · The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science · 1853

Notes from India, Second Series.-A Visit to Ujjain-Bhartṛhari's Cave-Legends of King VikramaA. V. Williams Jackson · Journal of the American Oriental Society · 1902

LXIII.— <i>Natural history notes from the R.I.M.S. ship ‘Investigator,’ Capt. T. H. Heming, R. N., commanding</i> .—Series III., No. 15. <i>Second preliminary report on the deep-sea Alcyonaria collected in the Indian Ocean</i> .Thomson, J. Arthur; Henderson, W.D. · Journal of Natural History Series 7 · 1906

The Voyage of Sir Henry Middleton to the Moluccas, 1604–1606. A new and enlarged edition with an introduction and notes by Sir William Foster, C.I.E. Works issued by the Hakluyt Society. Second Series, No. LXXXVIII. pp. 209, maps 3, illustrations 1. 9 × 5½. London, 1943.Winstedt, R. O. · Journal of the Royal Asiatic Society of Great Britain & Ireland · 1944

Is Notes a Musicological Journal?Irving Lowens · Notes (Second Series) · 1967

Ethiopian Itineraries The Itinerário of Jerónimo Lobo. Translated by Donald M. Lockhart from the Portuguese text established and edited by M. G. da Costa with an introduction and notes by C. F. Beckingham. London: Hakluyt Society, 1984 (Second Series, Volume 162). Pp. xxxvi + 417. £15.Crummey, Donald · The Journal of African History · 1985

The misson of Friar William of Rubruck: his journey to the court of the Great Khan MÖngke 1253–55. Translated by Peter Jackson, introduction, notes and appedices by Peter Jackson with David Morgan. (Second series, Vol. 173) pp. 312, front., 4 maps. London, The Hakluyt Society, 1990. £25.00.Sinor, Denis · Journal of the Royal Asiatic Society · 1991

The Early Travels of Ibn Battūta The Travels of Ibn Battūta A.D. 1325–1354 translated with revisions and notes from the Arabic text edited by C. Defrémery and B. R. Sanguinetti. By H. A. R. Gibb. Vol. I. Cambridge, 1958. (The Hakluyt Society, Second Series, no. cx.)Hopkins, J. F. P. · The Journal of African History · 1960