Painting in Renaissance Florence 1500-1550by David FranklinReview by: Piers Dominic Britton · The Sixteenth Century Journal · 2002

THE FOUR HUMORS ON THE SISTINE CHAPEL CEILINGPiers Dominic Britton · Source: Notes in the History of Art · 2002

A PERUZZI DRAWING AND THE NYMPHAEUM AT GENAZZANOBritton, Piers Dominic · Source: Notes in the History of Art · 2000

THE FOUR HUMORS ON THE SISTINE CHAPEL CEILINGBritton, Piers Dominic · Source: Notes in the History of Art · 2002

LIONIZING LEONARDO: A PHYSIOGNOMIC CONCEIT IN VASARI'S "VITE"Piers Dominic Britton · Source: Notes in the History of Art · 2003

MICHELANGELO AND THE "RERUM CORPORIS" IN VASARI'S "VITE": THE LIMITS OF PHYSIOGNOMYPiers Dominic Britton · Source: Notes in the History of Art · 2009

CorrigendaIrie, H.; Kimura, H.; Otani, N.; Ueda, K.; Uyeo, S.; Petrellis, P. C.; Griffin, G. W.; Keith, L. H.; Pelletier, S. W.; Lock, C. J. L.; Wan, Che'ng; Schuster, David I.; Brizzolara, Donald F.; Summers, L. A.; Dickeson, J. E.; ApSimon, J. W.; King, R. R.; Walia, Jasjit S.; Walia, Parveen S.; Heindl, Linda; Lader, H.; Parry, Ronald J.; Dodson, R. M.; Hammen, P. D.; Davis, R. A.; Anastassiou, A. G.; Howarth, G. B.; Szaerk, W. A.; Jones, J. K. N.; Galbraith, M. N.; Horn, D. H. S.; Middleton, E. J.; Hackney, R. J.; Ishii, H.; Tozyo, T.; Minato, H.; Albano, V.; Chini, P.; Scatturin, V.; Zimmerman, H. E.; Piers, Edward; de Waal, William; Britton, Ronald W.; Neiman, Z.; Burridge, C.; Hamon, D. P. G.; Bascoul, J.; de Paulet, A. Crastes; Hill, R. R.; Mitchell, G. H.; Kato, K.; Hirata, Y.; Yamamura, S.; Avaro, M.; Levisalles, J.; Sommer, J. M.; Barnish, I. T.; Mao, C. L.; Gay, R. L.; Hauser, C. R.; Clinton, Nye A.; Lillya, C. Peter; Fodor, G.; Medina, J. D.; Mandava, Nagabhushnam; Cahill, P. J.; Nelson, V. C.; Katsaros, N.; George, J. W.; Misono, A.; Uchida, Y.; Hidai, M.; Inomata, I.; Hanessian, S.; Plessas, N. R.; Garratt, P. J.; Mitchell, R. H.; O'Brien, S.; Read, J. S.; Warren, F. L.; Hewitt, P. H.; Abramovitch, R. A.; Uma, V.; Bentrude, Wesley G.; Darnall, K. R.; Preston, H. S.; Kennard, C. H. L.; Isaacs, N. W.; Kitching, W.; Ehemann, M.; N�th, H.; Davies, N.; Wallbridge, M. G. H.; Mason, R.; Robertson, G. B.; Whimp, P. O.; Shaw, B. L.; Shaw, G.; Crombie, L.; Ponsford, R.; Teranishi, R.; Thomas, A. F.; Schudel, P.; B�chi, G.; Opara, A. E.; Read, G.; Hammond, P. R.; Lake, R. R.; Subbaraman, L. R.; Subbaraman, Jiji; Behrman, E. J.; Young, Dominic; Cremer, Sheldon E.; Wang, Shih Yi; Nnadi, John C.; Bresadola, S.; Rigo, P.; Turco, A.; Walker, John A.; Orchin, Milton; Jakobsen, H. J.; Senning, A.; Corbett, John F.; Davidson, B. E.; Guthrie, R. D.; McPhail, A. T.; Downie, I. M.; Lee, J. B.; Matough, M. F. S.; Fischer, E. O.; Kiener, V.; Bunbury, D. St. P.; Frank, E.; Lindley, P. · Chemical Communications (London) · 1968

WINE AND THE RENAISSANCE ARTISTNorman E. Land · Source: Notes in the History of Art · 2013

BETTER THAN GIOTTO?Deborah Parker · Source: Notes in the History of Art · 2013

VERROCCHIO'S "BAPTISM OF CHRIST"Dario A. Covi · Source: Notes in the History of Art · 1996

THE NOBLE PAINTERCarl Goldstein · Source: Notes in the History of Art · 2011

GIOTTO'S DEMONSAndrea A. Begel · Source: Notes in the History of Art · 2010

Back MatterSource: Notes in the History of Art · 1982

Back MatterSource: Notes in the History of Art · 1984

Back MatterSource: Notes in the History of Art · 1983