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Blue flag with yellow tiger? Flags, authenticity and identityLennard, Frances; Pollak, Nancy; Lin, Chunmei; Chen, Wan-Ping · Journal of the Institute of Conservation · 2013
Preserving image and structure: tapestry conservation in Europe and the United StatesLennard, Frances · Studies in Conservation · 2006
Quantifying and visualizing change: Strain monitoring of tapestries with digital image correlationLennard, Frances; Dulieu-Barton, Janice M. · Studies in Conservation · 2014
Deformation and strain measurement techniques for the inspection of damage in works of artDulieu-Barton, Janice M.; Dokos, Leonidas; Eastop, Dinah; Lennard, Frances; Chambers, Alan R.; Sahin, Melin · Studies in Conservation · 2005
Evaluating the use of digital image correlation for strain measurement in historic tapestries using representative deformation fieldsAlsayednoor, Jafar; Harrison, Philip; Dobbie, Maggie; Costantini, Rosa; Lennard, Frances · Strain · 2019
Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textilesLennard, Frances; Baldursdóttir, Thórdís; Loosemore, Vicky · The Conservator · 2008
A literature review of analytical techniques for materials characterisation of painted textiles—Part 2: spectroscopic and chromatographic analytical instrumentationSmith, Margaret; Thompson, Karen; Lennard, Frances · Journal of the Institute of Conservation · 2017
2.6 ULTRASONIC PROPERTIESThe Paper Conservator · 1989
ARAB PARERMAKINGBaker, Don · The Paper Conservator · 1991
ENZYMES IN A VISCOUS MEDIUMHatton, Matthew · The Paper Conservator · 1977
Analysis of pastel and chalk materialsTownsend, Joyce H · The Paper Conservator · 1998
PIGMENTS USED IN JAPANESE PAINTINGSNishio, Yoshiyuki · The Paper Conservator · 1987
The conservation of A Jurassic IchthyosaurButtler, Caroline; Stooshnov, Alison · The Conservator · 2002
The conservation of tapaBarton, Gerry; Weik, Sabine · The Conservator · 1994
Ceramic gap‐fills for ceramic restorationGeschke, Rainer · The Conservator · 2004