American Literature in Transition, 1910–1920 || Americanism
- 作者Van Wienen, Mark W.
- 文件大小130.01KB
- 发表时间2017
- DOI10.1017/9781316534397.011
- 页码131-145
Shakespeare, Music and Performance || In Practice IV: ‘Sounds like’ – Making Music on Shakespeare's Stage TodayBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || In Practice II: Adapting a Restoration Adaptation – The Tempest, or the Enchanted IslandBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || In Practice I: Original Practices and Historical Music in the Globe's London and Broadway Productions of Twelfth Night and Richard IIIBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || IntroductionBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || Music in Contemporary Shakespearean CinemaBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || Jangling Bells Inside and Outside the PlayhouseBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || Film, Music and Shakespeare: Walton and ShostakovichBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || Changing Musical Practices in the Shakespearean Playhouse, 1620–42Barclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || Music in the 2012 Globe-to-Globe FestivalBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || The Politics of Popular Music in Contemporary Shakespearean PerformanceBarclay, Bill; Lindley, David · 2017
Shakespeare, Music and Performance || Theatre Bands and Their Music in Shakespeare's LondonBarclay, Bill; Lindley, David · 2017