Gertrude Stein's "Historical" LivingKelley Wagers · Journal of Modern Literature · 2008

Talking Past: <i>Drunk History</i> 's Promising FailuresWagers, Kelley · The Journal of Popular Culture · 2020

Tom Ripley, Inc.: Patricia Highsmith's Corporate FictionWagers, Kelley · Contemporary Literature · 2013

Against the American Grain: Willa Cather's History TroublesWagers, Kelley · Texas Studies in Literature and Language · 2015

“How come you ain’t got it?”: Dislocation as Historical Act in Hurston’s Documentary TextsWagers, Kelley · African American Review · 2013

Seeing “from the far side of the Hill”: Narrative, History, and Understanding in <i>Kindred</i> and <i>The Chaneysville Incident</i>Kelley Wagers, · MELUS: Multi-Ethnic Literature of the U.S. · 2009

Witnessing, Testifying, and History || Seeing "From the Far Side of the Hill": Narrative, History, and Understanding in "Kindred" and "The Chaneysville Incident"Kelley Wagers · MELUS · 2009

"LORD JIM" AS A TRAGIC ACTIONHARRY S. EPSTEIN · Studies in the Novel · 1973

ON "FABULATION AND METAFICTION"ROBERT A. MORACE · Studies in the Novel · 1980

GEORGE ELIOT || "MIDDLEMARCH": A FEMINIST PERSPECTIVEELLIN RINGLER · Studies in the Novel · 1983

THE SOCIOLOGY OF LITERATURE?KINGSLEY WIDMER · Studies in the Novel · 1979

TROLLOPE'S SATIRE IN "THE WARDEN"THOMAS A. LANGFORD · Studies in the Novel · 1987

HARDY'S GEOGRAPHY OF NARRATIVE EMPATHYEVE SORUM · Studies in the Novel · 2011

GULLIVER'S FICTIONSTEVEN M. COHAN · Studies in the Novel · 1974

CLOSURE AND TELEOLOGY IN DICKENSTHOMAS M. LEITCH · Studies in the Novel · 1986